中国医生3：急诊24小时

简介：　　2004年底，位於台北縣三重市生產電腦零組件的「飛盟國際電子公司」，因老闆掏空資產逃往大陸，員工面臨關廠的命運。這個工廠有三百多個員工，其中125名是來自菲律賓的女性移工；她們因為三個月沒拿到薪水，憂心忡忡且無所適從，因此來到台灣國際勞工協會（TIWA）求助。　　移工在台灣遇到的問題多如牛毛，但大部分都個別化、零碎化，集體性的勞資爭議並不多見，TIWA作為一個移工運動的團體，當然盡力協助。我們一邊組織她們抗爭行動，也一邊記錄下難得的移工集體抗爭事件。但是拍著拍著，鏡頭裡出現雙雙對對的同志伴侶，互相依偎，溫馨甜蜜。於是這個紀錄意外發展成愛的故事。　　「T婆工廠」記錄了七對女同伴侶，包括她們的訪談紀錄、參與勞資抗爭的情形、工廠宿舍的集體生活；而本片的特殊之處，在於這些女同置身的時空環境：　　藍領移工、面臨勞資關係斷裂的關廠事件、勞工集體抗爭的過程，以及台灣移工政策中不得自由選擇及轉換雇主的非人性設計，呈現台灣移工政策中明顯的歧視性，同時使得雙宿雙飛的在同志伴侶們，面臨另人心碎的分離。　　「T婆工廠」是愛情的天堂，而當天堂崩落時，看她們以無比的勇氣，挑戰壓迫她們的國家政策，為愛勇往直前，也為愛共赴天涯……。

简介：　　A documentary that takes an exclusive look at Srpski film (2010) with never before seen footage of the film and the worldwide reactions of one of the most talked about, controversial films of the last decade.

简介：　　The incredible story of how Pluto has been propelled from an unremarkable ball of ice on the edge of the solar system to a world of unimaginable complexity - where some form of alien life might exist.　　Featuring first-hand accounts of the incredible discoveries made by New Horizons from many of the scientists involved in the mission.

简介：　　亚历克斯•霍诺德可能是世界上最好的徒手攀岩大师，或许有之一，或许没之一。总之喜好无保护徒手攀岩的我想应该都是大师，因为在这项世界上可能是最危险的极限运动中，任何技艺不精的人都活不到成为大师的那一天。　　　　从名称你就能知道，他们攀岩的时候是徒手无保护的（当然允许用镁粉了），攀岩过程中有任何闪失就只有一个后果：从高空直接自由落体。　　　　《孤身绝壁》这部24分钟的纪录片就是拍摄亚历克斯•霍诺德无保护攀登犹他州锡安国家公园“月光拱壁”（370米）以及优胜美地国家公园半穹顶“西北壁常规线路” 的过程。这都是首次有人无保护徒手攀岩登顶成功。　　　　这两处攀岩路线按照约塞米提难度系统（Yosemite Decimal System）（简称Y.D.S.）的分级，分别是(V, 5.12+, 9段)和 (VI, 5.12a, 23段)，也就是说必须要借助器械才能进行攀登，绳子和保护是必须的。而亚历克斯•霍诺德就凭借一袋镁粉完成了攀登过程，其中高达370米的“月光拱壁”中，有一段长达215米的绝壁，只有一条宽约2.5厘米的垂直岩缝，霍诺德完全凭借手指固定身体攀过这一段绝壁。　　　　而优胜美地国家公园的半穹顶“西北壁常规线路”则高达600米，即使现代攀岩者用绳索保护和借助器械，一般都需要一天时间才能完成攀登（历史上首攀成功是在1957年，凭借器械和绳索也花了5天时间）。霍诺德继续凭借一袋镁粉完成了登顶，耗时6小时。　　　　《孤身绝壁》（Alone on the Wall）是班夫山地文化电影节中国巡展影片的一部

简介：　　The Balkan Peninsula is notorious for being one of the great battlegrounds of history. And yet, it possesses another side unknown to many, where ancient forests and vast wetlands harbor pristine wilderness, and sheer cliff walls and desolate plateaus preserve a seemingly unchanged past. Surveying these striking and stark landscapes, one might think they’ve ventured into the Middle-earth of J.R.R. Tolkien’s Lord of the Rings.　　Indeed the Balkan Peninsula is home to a variety of regions that border on mythical. In Croatia’s Kopacki Rit Wetlands, land mines keep people away, but enable native wildlife to thrive. Further south, Montenegro’s Tara River carves through Europe’s longest and deepest canyon, and neighboring forests provide refuge to rare animals such as the Balkan Lynx. To the east, millions of birds flock to the Danube Delta to feast on swarms of mosquitoes. And at the west of the Balkans is Skadar Lake, a remarkable landscape of peaks and water.　　This is a journey to a world seemingly forgotten by time. This is the wild Balkans.

简介：　　The 2-part feature-length documentary &quot25 ze šedesátých aneb Československá nová vlna&quot (&quot25 from the Sixties, or Czechoslovak New Wave&quot) presents a complex view of the phenomenon of Czech and Slovak New Wave in the cultural and social context of the 60&#39s. 25 fundamental films commented on by their makers and film historians offer the viewer a dramatic insight into the golden era of Czechoslovak cinema.　　The documentary is a follow-up on the biographical TV series &quotZlatá šedesátá&quot (Czech Television, 2009), based on the filmmakers&#39 personal remembrances. As opposed to the series, the documentary presents the Czech and Slovak cinema of the 60&#39s in the national, international and also inter-generational context. It describes the ways the New Wave crossed the existing artistic boundaries, how it variegated the world cinema and where it left an ineffaceable impression. It analyses the work of filmmakers in a state-funded cinema, under the pressure of ideological demands on one hand and commerce on the other. It presents the dilemma of a man - an artist - on the edge between contradictory social systems and incongruous aesthetic requirements. The existential drama of a man acting freely and at the same time mercilessly crushed by the wheels of the system.　　The 60&#39s are, from this point of view, mostly an era of fortunate historical constellation, not only in - at that time - Czechoslovakia, but on a world-wide scale. An era of expectations and upswing, but also an era of exemplary human decisions and artistic pursuit. Those are some of the things &quot25 ze šedesátých aneb Československá nová vlna&quot wants to commemorate.　　Part 1 comments on:　　■&quotSlnko v sieti&quot (&quotThe Sun in a Net,&quot 1962) by Štefan Uher　　■&quotKonkurs&quot (&quotAudition,&quot 1963) by Miloš Forman　　■&quotKřik&quot (&quotThe Cry,&quot 1963) by Jaromil Jireš　　■&quotPostava k podpírání&quot (&quotJoseph Kilian,&quot 1963) by Pavel Juráček Jan Schmidt　　■&quotKaždý den odvahu&quot (&quotCourage for Every Day,&quot 1964) by Evald Schorm　　■&quotDémanty noci&quot (&quotDiamonds of the Night,&quot 1964) by Jan Němec　　■&quotIntimní osvětlení&quot (&quotIntimate Lighting,&quot 1966) by Ivan Passer　　■&quotAť žije republika&quot (&quotLong Live the Republic,&quot 1965) by Karel Kachyňa　　■&quotObchod na korze&quot (&quotThe Shop on Main Street,&quot 1965) by Ján Kadár Elmar Klos　　■&quotRomance pro křídlovku&quot (&quotRomance for Bugle,&quot 1966) by Otakar Vávra　　■&quotSedmikrásky&quot (&quotDaisies,&quot 1966) by Věra Chytilová　　■&quotOstře sledované vlaky&quot (&quotClosely Watched Trains,&quot 1966) by Jiří Menzel　　Part 2 comments on:　　■&quotKristove roky&quot (&quotThe Prime of Life,&quot 1967) by Juraj Jakubisko　　■&quotStud&quot (&quotShame,&quot 1967) by Ladislav Helge　　■&quotSvatba jako řemen&quot (&quotA Hard and Fast Marriage,&quot 1967) by Jiří Krejčík　　■&quotDrak sa vracia&quot (&quotDragon&#39s Return,&quot 1967) by Eduard Grečner　　■&quotMarketa Lazarová&quot (&quotMarketa Lazarová,&quot 1967) by František Vláčil　　■&quotSpřízněni volbou&quot (&quotElective Affinities,&quot 1968) by Karel Vachek　　■&quotSpalovač mrtvol&quot (&quotThe Cremator,&quot 1968) by Juraj Herz　　■&quotZabitá neděle&quot (&quotSquandered Sunday,&quot 1969) by Drahomíra Vihanová　　■&quotPasťák&quot (&quotThe Decoy,&quot 1968) by Hynek Bočan　　■&quotPřípad pro začínajícího kata&quot (&quotCase for a Rookie Hangman,&quot 1969) by Pavel Juráček　　■&quot322&quot (&quot322,&quot 1969) by Dušan Hanák　　■&quotSlávnosť v botanickej záhrade&quot (&quotCelebration in the Botanical Garden,&quot 1969) by Elo Havetta　　■&quotVšichni dobří rodáci&quot (&quotAll My Good Countrymen,&quot 1968) by Vojtěch Jasný